Acoustic Landscape

Acoustic Landscape, 2013

52' x 36'

Digital video still printed on vinyl and mounted onto Kentucky Center for the Arts during the Idea Festival, Louisville, KY.

Supported and commissioned by Artwithoutwalls.org and curated by Alice Gray Stites.

Acoustic Landscape 13, 21c Museum commission, 2014

Acoustic Landscape 13

digital video stills dye sublimated onto wood, 13 panels, 25' x 12"

(installed view at 21c Museum, Bentonville, AR)

The Acoustic Landscape Series was inspired by our current ability to shape and transform our natural world through genetics, chemicals, industrialization and tools. These pieces were also inspired by the new search for the "God" particle and the writings of Marshall Mcluhan. This piece was supported by the 21c Museum and curated by Alice Gray Stites.

This piece was commissioned by 21c and traveled to 21c Museum, Cincinnati, OH and 21c Bentonville, AR 2014-2015

Electrified, 2010

An Empathic Landscape series for the Mountains lost.

Overall view Electrified

Post cards inkjet on paper, laser cut leather, wire post card racks, bench, two books which document the fictional histories of coal mining in New York City, NY and Louisville, KY.

Electrified, details found post cards in New York City's Central Park

Electrified, 2010 detail

Electrified, 2010 detail - a fictional account of how NYC Central Park was a strip mine for a brief time.

An Uncovered History of New York City.jpg

http://www.lulu.com/product/lulustudio-photo-book/an-uncovered-history-of-new-york-city-by-mary-c-corbly-deltiologist/13001826?showPreview

everything for nothing, nothing for everything

2010 created - installed 2016 - 2017 at the Legacy Trail,

(5) - 2'x 12' nylon flags with dye sublimation prints of bar codes mounted on 50'- 0" poles, Legacy Trail Public Art Project, Lexington, KY. The first installation on a flag pole was at the Lexington Art League, the Loudon House grounds in 2010.

The orginal barcode generating phrases I was going to use for this project employed economic theory phrases, ideas, from various sources were censored. Even though the words/phrases would not have been visible, only the barcodes, I was required to create new phrases like: 'bluegrass (poa pratensis)' which is not a native species to Kentucky and other phrases relating to Kentucky like: 'a heaven of a place', 'La Troienne (equus)', 'University of Kentucky' and 'Kentucky'.

They had the graphic designer at the print shop generate the actual barcodes for my flags instead of using my digital files.